14th Annual Phillips' Mill Photographic Exhibition

May 14th - June 4th, 2006
1–5 P.M. Sunday, Wednesday and
Thursday; 1– 9 P.M. Friday and
Saturday; and 1–5 P.M. Memorial Day.

This year's show is shaping up to be one of the best the Mill has ever presented!

NOT TO BE MISSED!
Presenting the first Phillips' Mill Photographic Exhibition DVD


 

This year's jurors are:

Sheryl Conkelton
Sheryl Conkelton is director of Exhibitions and Public Programs at Tyler School of Art in Philadelphia. She has organized numerous exhibitions, among them Phil Collins: assume freedom (2005), An International Legacy: Selections from the Collection of the Carnegie Museum of Art (2003), Uta Barth, In Between Places (2000), What It Meant to Be Modern, Seattle Art at Mid Century (1999), Coming to Life, the Figure in American Art 1955-1965 (1998), and Annette Messager (with Carol Eliel, 1995).

Conkelton has published widely, authoring a number of books including Lewis Baltz: Prototypes, Tract Houses and New Industrial Parks near Irvine, California (RAM/Steidl/Whitney Museum of Americna Art, 2005), Northwest Mythologies, The Interactions of Mark Tobey, Morris Graves, Kenneth Callahan and Guy Anderson (with Laura Landau, University of Washington, 2003), Uta Barth: In Between Places (Henry Art Gallery, 2000), Annette Messager (Museum of Modern Art, 1996), and Frederick Sommer (Clio Press, 1995), and has contributed to journals, exhibition catalogues and other publications, among them Collapse (University of British Columbia, Vancouver, 2002), Deep Storage: An Arsenal of Memory (P.S. 1, New York/ Prestel, Munich, 1998), Fotografia del Siglo XX (Fundacio Caixa, Barcelona, 1992), and the Grove Dictionary of Art (London, 1989).

Conkelton has held senior curatorial positions at the Henry Art Gallery,
Seattle; the Museum of Modern Art, New York; and the Los Angeles County
Museum of Art. She has lectured extensively at museums, universities and
cultural institutions in North America, Europe and Japan, and has taught at the University of Washington, UCLA, and California State University, Los Angeles.

She is the recipient of numerous grants, including awards from the National Endowments for the Arts, the Peter Norton Family Foundation, and the
Ministry of Foreign Affairs, France.

Millie Falcaro
Millie Falcaro is a teaching-artist and a long time member of the historic photographic arts organization, The Camera Club of New York. She heads the Photography Program at Marymount Manhattan College. a liberal arts college located in New York City. Prior to her current position in academia, she worked in a variety of capacities in the field of commercial photography, including Senior Vice President and Creative Director at The Franklin Mint. Her work is in private collections and has been exhibited in the U.S. and abroad.

D.F. Connors

D.F. Connors studied filmmaking & photography at University of Notre Dame & UCLA. He has also studied still photography with Barbara Blondeau, photography in workshops with Dick Stevens, Howard Bond, Michael Smith and Paula Chamlee and platinum/palladium printing with Robert Borsuk.

Connors owns and operates a video production company specializing in documentaries and corporate communications. His Videos have been screened on A&E and The History Channel. He has won numerous motion picture and video industry awards for directing and camera work including two Cine Golden Eagles, Gold, Silver & Bronze awards in NY International Film Festivals, Chicago International Film & Television Festivals, US Industrial Film Festival, Gold Addy Awards, Gold Camera Award, etc.

Currently, he is teaching photography workshops and individuals, including platinum/palladium printing, large format shooting, lighting, Photoshop and digital camera techniques with Princeton Photographic & Digital Imaging Workshops.





 
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