Grist Wheel Icon

Join the Conversation with Phillips' Mill ArtTalk

Our popular ArtTalk series features online conversations with artists, curators, playwrights and more. Join us the third Wednesday of the month at 7 p.m. It is, however, best to check the website for scheduling information as dates sometimes change due to artists’ availability

ArtTalk is hosted by Laura Womack, President of the Phillips' Mill Community Association. Laura hosted her own syndicated show in Virginia before joining WAMU in Washington, D.C., where she also contributed to NPR. Laura became involved in the arts while living in Singapore, where she worked as a docent and developed an interest in textiles. Today, Laura is a weaver and Board President of Phillips’ Mill.
Production Team: Jen McHugh, executive producer; and Dennis Riley and Jean Mihich, content producers.

You can view past shows on the Phillips' Mill YouTube channel, or scroll down to find them right here!

*Please check the website for dates and times, particularly if the Wednesday falls before a holiday.

Save the Date for these Upcoming ArtTalks

June 19 - Miriam Carpenter
July 17 - Al Gury
September 18 - Honored Artist from the Phillips' Mill Juried Art Show
October 16 - Freda Williams

We at ArtTalk hope to continue to grow and provide our viewers with interesting content. That includes more on-site interviews, studio tours and in person conversations. This growth requires the purchase of audio and recording equipment. Your financial support of ArtTalk can help make this possible. Click on the button below to make a contribution. We appreciate your continued support!

Donate to ArtTalk

A Collection of Past Conversations

May 15, 2024

Jenny Schaeffer

Jenny Schaeffer’s well known around Bucks County as the owner of Phoenix Art Supplies and Framing. She’s been helping artists with their material needs, framing and even with submitting to Phillips’ Mill’s Juried Art Show. Jenny has been a great friend to the community. She’s also an artist herself who has participated many times in the Phillips’ Mill Juried Art Show. Jenny is comfortable in many media, often painting in abstract. We’ll talk with Jenny about her art and what inspires her. We’ll touch on her previous incarnation as a face painter. Also, as artists prepare their work for the 95th Phillips’ Mill Juried Art Show, Jenny can talk about the importance of framing, which — depending on the juror or the buyer — can make or break a “sale.”

Jenny Schaeffer has been in framing for 40 years, at Phoenix for over 14 of them. Jenny has been a great friend to artists in our region, supporting them in their supply needs as well as running the popular annual “40 ART” show in which all works are 5” x 7” pieces that are sold for $40. Jenny studied at Raritan Community College.

April 24, 2024

Dot Bunn

Each oil painting Dot Bunn creates is the result of a long process of planning and study that is not only the preparation of that subject and design. It includes the years of developing her technical tools developed in a practice of oil painting. She believes spontaneity and intuition are best paired with a strong background in drawing and value management. She has studied the skills and lessons of the masters in order to be ability to express that intangible sense of life that comes through in her work.

It’s paid off. Dot is a Signature Member of the Oil Painters of America and is regularly juried into their shows. She’s exhibited in the Allied Artists of American Annual Juried Show at the National Arts Club and the American Artists Professional League Grand National Exhibition, as well as at Phillips’ Mill where she regularly wins awards. Her work is in the corporate collections of Byers Choice, Bohler Engineering and the Korean Delegation of Nam Dong.

Dot credits her mentors Myron Barnstone and Patrick Connors with giving her not just technical tools for her art but also in changing the way she thinks about art generally.

March 28, 2024

Thom Goertel

Join us as we chat with award-winning photographer and multimedia producer Thom Goertel, who is the juror for the 2024 Phillips' Mill Photographic Exhibition.

Working on projects for corporations, institutions, NGOs and publications, Thom has shot in locations ranging from the White House in D.C. to dung huts in Uganda. His work has been published in National Geographic, The Wall Street Journal, and The Washington Post, among others, and has been shown in galleries across the U.S., and is part of several private collections.

Beyond photography, Thom worked as a 3-D animator, motion graphics artist and art director.

Thom’s recent photo work includes documentary humanitarian projects in Kenya, Uganda and central Mexico, as well as his daily exploration and exploitation of the camera in his pocket.

March 20, 2024

Sean Mount

Our guest, Sean Mount, is a self-taught oil and watercolor painter, and a naturalist who has been foraging for mushrooms, in particular, all his life. Ornithology is of specific interest to him, too. Known for his paintings of foggy winter woods and sun-dappled creeks, his work builds on the rich legacy of New Hope School Impressionism with honesty and innovative unsentimentally.

Sean received a 2019 fellowship from the New Jersey State Council on the Arts. After a career as a decorative painter and muralist, he spent a decade in New York City working in film and television as a scenic artist. There, he won three Art Director’s Guild Awards for his work on "Mr Robot" and "The Night Of."

February 21, 2024

Lisa Naples

ArtTalk goes back to the clay studio with the ever-engaging Lisa Naples. Lisa is a modern-day Beatrix Potter sculptor with an edge. Her creations are often animals that draw you in with their charm. Imagine rabbits and owls and crows in human situations dealing with human questions. A bird looks at himself in the bathroom mirror. It’s titled, “Is That All I Am?” Two rabbits with birds on their backs touch noses getting to know each other. It’s called “Spirito Santo.” Her animals have a complex interior life.

Lisa has studied widely, transitioning from a “potter” to a sculptor and storyteller, and to a conduit for ideas that come to her from an unseen realm. She says, “At this point, clay and I are dear, old friends. My experience in the studio is a conversation; a collaboration with something unseen but felt and understood.”

January 17, 2024

David Leopold

ArtTalk resumes on January 17 with a fascinating conversation with David Leopold, creative director of the Al Hirschfeld Foundation and author of “The Hirschfeld Century: Portrait of an Artist and His Age,” which was published to coincide with a major retrospective that Leopold curated for the New York Historical Society. The book won universal acclaim. The Washington Post called it an “instant classic,” and Amazon selected it for its “Top Books of 2015.”

Leopold became interested in the artwork of Hirschfeld when, more than 30 years ago, he was researching Ben Solowey’s series of charcoal drawings of Broadway performers, opera singers and dancers called “Theatre Portraits.” Leopold discovered that Solowey’s drawings frequently ran side by side with Al Hirschfeld’s legendary theatre work. He reached out to the artist for more information and soon became his archivist, visiting Hirschfeld at least once a week in his studio for 13 years.

Today he co-hosts the popular Hirschfeld Century Podcast, nominated as “Best New York City Podcast” by the 2020 Apple Awards.

November 15, 2023

Kirby Fredendall

Kirby Fredendall paints mood as generated by her experience of the landscape. Her paintings are a visual record of her experience in nature. They are not about how the landscape looks as much as about how the landscape can make one feel. 

Kirby is highly conscious of the section of landscape she chooses, pulling apart elements of the landscape and selectively reconfiguring them. The viewer is gently led away from a directly observed image to one where a balance is struck between the known and the felt. The surface is organized into separate areas where one can then experience the landscape as a vista across a body of water, as the transparency of light and objects seen beneath the water, and the combinations of light and color that play together among all of these views. The viewer can be drawn deep into the visual space or skate along the surface.

One observer said of Kirby’s work, ”It’s almost as if the artist was able to capture that elusive space between the physical landscape and the mental manifestations of being there; she packages up that tenuous space and serves it to us on canvas." Deborah Kostianovsky From InLiquid.

Kirby Fredendall is an award-winning artist who has exhibited widely in the region, including at Phillips’ Mill community Association. She earned a BA from Duke University. She attended Boston University’s British Art & Architecture Program in London (1987), and Duke University’s Renaissance Art & History Program in Florence (1986).

October 18, 2023

Armando Sosa

A person reaches for an apple in a tree. Underneath is a dog. A bird with it’s wings outstretched displays each feather. These can be challenging subjects for any artist who engages with detail. But for a weaver bound by the unrelenting grid of a woven cloth, they are daunting and greedy of time. Master weaver Armando Sosa is committed to surmounting these challenges. So much so that he himself built a complex loom that he researched from his native Guatemala as well as Europe and China.

Now he weaves traditional motifs in his own combinations and colors to express his dreams, his memories, and his aspirations.  The resulting works show the overlapping cultural influences that have inspired his art.

Artist Bio: Armando Sosa was born in rural Salcaja, in the Guatemalan Highlands. The son of a weaver, his job as a young boy he was guarding newly dyed threads drying on the grass of the riverbank from being trampled by cows!  At the age of eight he spun and dyed yarn. At fifteen, he wove shawls and garments on a simple 4-harness loom. At sixteen, he moved to Guatemala City where he first worked with a compound-harness loom. From 1970 until 1980, he exhibited his work in Latin America and the United States. In 1993 Armando moved to the Princeton area where he began to weave again, building a total of 4 large complex looms from memory. Various awards he has received include the title “Artist of Exceptional Ability” from the United States Government. In Jan. 2016, Sosa was named the first Folk Art Master of the State of New Jersey by the New Jersey State Council on the Arts.

SUBSCRIBE TO OUR
NEWSLETTER

Sign up to receive new and updates from the Mill.

Thank you! Your submission has been received!
Oops! Something went wrong while submitting the form. Please try again.
Illustration of the Phillips' Mill -Artist: Kathie Jankauskus